Giordano Bruno edition by Walter Pater Reference eBooks
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Giordano Bruno edition by Walter Pater Reference eBooks
When you download these free public domain e-book files from Amazon or Project Gutenberg you never know what you’re going to get. This one turned out to be a ten-page essay. It was originally published in an 1889 edition of the English magazine The Fortnightly Review. Author Walter Pater was a household name among 19th century literati, but he has sense faded into obscurity, at least in the minds of American readers. He was a polymath man of letters who wrote fiction, literary criticism, and essays on a variety of topics. Here he offers a brief sketch of Giordano Bruno, the 16th century Italian philosopher and Dominican monk who was burnt at the stake for heresy against the Catholic church. Among the offenses for which Bruno was executed were his pantheistic conception of God and his belief that the Earth was just one of many inhabited worlds in the universe.Among freethinkers, Bruno is considered a hero for his intellectual integrity in the face of persecution. Although this essay is written about a man I admire, I found little to enjoy in it. Pater seems less interested in praising Bruno’s defiance of superstition or illuminating his philosophical accomplishments than he is in simply the self-aggrandizement of Walter Pater and his literary style. The whole piece is an overindulgent exercise in pretentious prose. Pater writes in grammatically challenging paragraph-long sentences consisting of strings of comma-separated phrases, the purpose of which seems to be to impress the reader with flowery language while imparting as little information as possible. Almost no facts are given about Bruno’s life and work, just Pater’s speculation of what Bruno’s intellectual development might have been like or what he was thinking at a given time in his life. There is some discussion of the scope of Bruno’s pantheism, but Pater’s way of writing about it obscures more than it reveals.
If you don’t know anything about Bruno, this work is not for you. In order to understand what Pater is saying here, you have to come to this essay with prior knowledge of who Bruno was and why he was important. If you already know that, however, you’re not going to learn anything new here. With this piece of writing, Pater demonstrates the annoying side of those 19th century Renaissance men of letters who just really loved to hear themselves talk. The essay’s one saving grace is its brevity.
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Giordano Bruno edition by Walter Pater Reference eBooks Reviews
This book, while very philosophical and theological, (neither of which I am a particular fan) is an amazing book. I truly enjoyed it and would recomend it to everyone.
This book is very informative easy to read and overall a great source of information.
Short and a little slow in pace but an interesting view of an important person.
Read all of Bruno's works
A note at the end of this short, but dense e-book tells us "Pater's article appeared in The Fortnightly Review, 1889. Later it was much revised and included as Chapter VII of the unfinished novel, Gaston de Latour."
It is not a full-fledged biography of the Renaissance philosopher, but rather a sketch of him at the height of his career, preaching a Pentecostal sermon to a fashionable Parisian assembly enamored of all things Italian.
Pater makes much of Bruno's expansive view of the Holy Spirit- a pantheism which was a rediscovery of the earliest Greek philosophy
... It is not always, or often, that men's abstract ideas penetrate the temperament, touch the animal spirits, affect conduct. It was what they did with Bruno. The ghastly spectacle of the endless material universe, infinite dust, in truth, starry as it may look to our terrestrial eyes—that prospect from which Pascal's faithful soul recoiled so painfully—induced in Bruno only the delightful consciousness of an ever-widening kinship and sympathy, since every one of those infinite worlds must have its sympathetic inhabitants.
Less emphatically, however, Pater, a thorough Platonist himself, puts his finger on the real Platonic doctrine Bruno took out of the monastery
... In proportion as man raised himself to the ampler survey of the divine work around him, just in that proportion did the very notion of evil disappear. There were no weeds, no "tares," in the endless field. The truly illuminated mind, discerning spiritually, might do what it would. Even under the shadow of monastic walls, that had ever been the precept, which the larger theory of "inspiration" had bequeathed to practice.
When you download these free public domain e-book files from or Project Gutenberg you never know what you’re going to get. This one turned out to be a ten-page essay. It was originally published in an 1889 edition of the English magazine The Fortnightly Review. Author Walter Pater was a household name among 19th century literati, but he has sense faded into obscurity, at least in the minds of American readers. He was a polymath man of letters who wrote fiction, literary criticism, and essays on a variety of topics. Here he offers a brief sketch of Giordano Bruno, the 16th century Italian philosopher and Dominican monk who was burnt at the stake for heresy against the Catholic church. Among the offenses for which Bruno was executed were his pantheistic conception of God and his belief that the Earth was just one of many inhabited worlds in the universe.
Among freethinkers, Bruno is considered a hero for his intellectual integrity in the face of persecution. Although this essay is written about a man I admire, I found little to enjoy in it. Pater seems less interested in praising Bruno’s defiance of superstition or illuminating his philosophical accomplishments than he is in simply the self-aggrandizement of Walter Pater and his literary style. The whole piece is an overindulgent exercise in pretentious prose. Pater writes in grammatically challenging paragraph-long sentences consisting of strings of comma-separated phrases, the purpose of which seems to be to impress the reader with flowery language while imparting as little information as possible. Almost no facts are given about Bruno’s life and work, just Pater’s speculation of what Bruno’s intellectual development might have been like or what he was thinking at a given time in his life. There is some discussion of the scope of Bruno’s pantheism, but Pater’s way of writing about it obscures more than it reveals.
If you don’t know anything about Bruno, this work is not for you. In order to understand what Pater is saying here, you have to come to this essay with prior knowledge of who Bruno was and why he was important. If you already know that, however, you’re not going to learn anything new here. With this piece of writing, Pater demonstrates the annoying side of those 19th century Renaissance men of letters who just really loved to hear themselves talk. The essay’s one saving grace is its brevity.
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